Interview Luxury Yacht & Superyacht News

Interview with Princess Yachts South East Asia during PIMEX

April 02, 2012

Earlier today, the UK based luxury boat builder Princess Yachts has announced the creation of ‘Princess Yachts South East Asia’, integrating a new partnership led by Princess Yachts Thailand, part of the Phuket Boat Lagoon Group of companies.

PIMEX 2012 Princess Yachts SEA team

PIMEX 2012 Princess Yachts South East Asia team

Princess Yachts South East Asia is to amalgamate Boat Lagoon Yachting with offices in Malaysia led by Ms Shi Lin Oh and Mr Oh Kean Shen; operations in Singapore with Mr Alan Pickering; and sales and service facilities in Indonesia with Mr Kris Pramono.

Go Yachting met up with the Princess Yachts South East Asia team during the Phuket International Boat Show (PIMEX):

Vrit Yongsakul, Managing Director, Princess Yachts Thailand and Founder of Princess Yachts South East Asia; Shi Lin Oh, Sales and Marketing Director, Princess Yachts Malaysia; and Alan Pickering, Managing Director, Princess Yachts Singapore. Together they discussed Princess Yachts and its development in the region, their respective plans and hopes, and Princess Yachts South East Asia.

Day Two at Phuket International Boat Show – PIMEX 2012

March 30, 2012

Day Two at the Phuket International Boat Show built on the successes of the first day with a number of potential clients coming back and deals looking good.

The searing heat didn’t put off the serious buyers as brokers sang in unison “quality over quantity”. The date change from January to March appears to have been a success with the quality of visitors being appreciated by the exhibitors.

Official TV Partner for PIMEX, Go Yachting, are onsite throughout bringing daily TV interviews.

On Day Two, Go Yachting interviewed:

Mario Zanasi, Country Manager – Thailand, Simpson Marine, who talked about the new offerings at the show and the diverse brands they represent in Thailand.

Tony Nixey, Managing Director, Go Boating Thailand, who talked about the success of Gulf Craft in the region and the development of the Thai market.

Alberto Perrone Da Zara, Direttore Commerciale, Ferretti Group, who discussed Asia, Thailand and successes with their local dealership Lee Marine.

Chatham Marine Managing Director Philip Marsh about METS 2011

November 24, 2011

Philip Marsh, a Managing Director of the Britain´s key marine clothing and footwear company comments on this year´s METS. “METS was a huge success for Chatham. We expect to sign new distributors and retailers as a direct result of the show. Interest was global, from the Caribbean to Croatia, Poland, the Ukraine and New Zealand.”

Chatham logo

“With our current product range, combined with our escalating brand awareness, it was the right time to exhibit at METS. Our new footwear appealed, with strong interest in the Chatham G2 professional range of deck shoes, especially the men’s innovative Sloop and Schooner styles, plus classics like Deck, Kayak and Bermuda. Interest in the women’s lines was biased towards the more fashionable looking Sport collection – a picture that mirrors what’s happening in the UK marketplace.”

“METS was the perfect platform for our new sales teams in Denmark, Holland and Sweden to do business, as they extend our distribution across Europe. We’re planning for strong growth and METs was a good indicator – we’re feeling confident about the year ahead.”

Exclusive interview with the Milan based yacht design studio HOT LAB

October 14, 2011

Besides the possibility to view some of the most exciting new launched charter yachts at the 2011 Monaco Yacht Show, CharterWorld had the opportunity to interview Hot Lab’s designers and talk about their latest projects, such as the 27M displacement yacht for Posillipo (Cantieri Navali Rizzardi) shipyard, the Oceanco PA 168 superyacht and the  stunning NOOR motor yacht, a two-time nominee in the upcoming Showboat Design Awards. In this exclusive two on one interview with Antonio Romano and Michele Dragoni, two of the three Milan based designers and creators of the Hot Lab yacht design studio, will also reveal how exactly does an idea become a yacht concept.

Four members of the  Hot Lab yacht design team in Milan - from left: Michele Dragoni, Antonio Romano, Antonio Scognamiglio and Enrico Lumini

Four members of the Hot Lab yacht design team in Milan - from left: Michele Dragoni, Antonio Romano, Antonio Scognamiglio and Enrico Lumini

CharterWorld:  Hot Lab was founded in Milan, in 2004 by three ambitious young men, Michele Dragoni, Enrico Lumini and Antonio Romano. You have started in the automotive or interior design industry and decided to moved into yacht design.  What prompted you to move into motor yacht design and create the Hot Lab yacht design studio?

Hot Lab: Hot Lab was born after an excellent meeting with the Raffaelli shipyard at a Genoa Boat Show. Thanks to Raffaelli, we had our first commission to create a custom made interior for  Ontera 66′ yacht. With this project we opened our doors as Hot Lab – yacht & design.

All three of us, including Enrico and Michele, worked in a product design studio. Previously, before entering the workforce, I have attended a design university in Rome. I was taught by a great man and a professional of the industry, Gianni Zuccon, to whom I can be thankful for my passion for yachts and yachting. Michele was also very fortunate to work with an equally renowned professional, Cristian Grande, during his years in the car design industry. Furthermore, our interior architect, Enrico, apart from the years of experience in interior design, spent a large amount of time on boards of yachts (and under water) as a professional scuba diver. Although we all have different backgrounds, we all share the same passion for the sea, which we are trying to translate into our designs. I have to point out, that since we have started three other members joined our team at Hot Lab.  We have a pleasure to work with such great people as Antonio Scognamiglio, Valentina Magnolfi and Silvia Iraghi.

CW:   What influence do your previous experiences in car design and/or interior design have on your current occupation as yacht designers? Are there any similarities when it comes to these areas of design?

HL: Our background in car design is often present in our work.  Take for example, one of our latest projects, the Oceanco PA168 superyacht. Her entire aft area was inspired by the Renault concept DeZir and during the design process of the ‘Gotcha’ runabout  for Blue – Yachting, we have studied several solutions, accessories and graphics strongly inspired by racing cars.

Yacht tender GOTCHA designed by Hot Lab

Yacht tender GOTCHA designed by Hot Lab

Racing car inspired drawings by Hot Lab yacht design studio

Racing car inspired drawings by Hot Lab yacht design studio

CW:   Faced with a new project, you must have a number of ideas run through your mind. What is the first step taken when creating a new yacht design?

HL: Most of our work includes private clients, in which case we receive very precise suggestions and requirements. Following this,  teams in our studio commence to research the market, work on general arrangements and the exterior view, to create a base for Hot Lab’s exterior designer, Michele Dragoni.

CW:  Your work is being recognised all over the world. In your opinion, what differentiates Hot Lab from other yacht designers?

HL: Hot Lab’s designs are clear with elegant lines trying to follow simple rules of proportions. We do appreciate the works of important and established yacht designers, however we believe there is always a room for improvement. Our aim is to follow the tradition incorporating small aesthetic innovations and pay extreme attention to details.

CW:    Every designer cultivates its own style. How would you describe the style that Hot Lab has to offer its clients?

HL: Our yachts are sophisticated with slight aggressiveness. When commissioned by shipyard however, we try to incorporate its style and identity into our own vision. We aim for elegant clean look, with interesting design elements, yet timeless in fashion.

CW:  Where do you draw your ideas from?

HL: The ideas come mainly from the clients, really. We try to get to know their style, their passions and desires. Hot Lab creates a design based on clients’ personality, finding out perhaps what car they drive, what clubs they are frequenting, their favourite artists as well as the style their home represents. This enables us to create a perfect ‘second home’ for the Owner or potential charter guests, where they can feel comfortable and at ease.

Oceanco PA 168 superyacht by Hot Lab design studio

Oceanco PA 168 superyacht by Hot Lab design studio

CW:   What are the main aspects taken into consideration during a yacht design process?

HL: There are number of things to consider. Hot Lab is always trying to create a warm ‘family feeling’ on board. Apart form clients’ wishes, we have to examine the current yachting market, what type of features and yachts are the most sought after. At the moment the owners look for open spaces, large windows and natural flow between the interior and exterior areas. The Owners as well as luxury charter guests want to feel the closets possible to the nature and thoroughly enjoy the beautiful horizons and the sea. Having said all this, we also need to take into consideration the shipyard’s requirements and what our competition is offering. After which, we can let all the ideas flow and the designs will take shape naturally.

CW:  Customer’s wishes and requirements are very important. How do you find the right balance when it comes to these, your own beliefs and ideas, and the collaboration with the shipyard?

HL: It is all about collaboration and communication. As per the exterior design of the yacht, very rarely do customers specify design elements as such. They perhaps express their opinion on what type of layout they have in mind, details about the sun areas, jacuzzi and so on. On the other hand, the owner will pay much more attention to the interior. As mentioned before, we try to find out what type of interior would make him/her feel comfortable and at ease. When it comes to the shipyard, respecting their technical capabilities as well as the limits and possibilities of a given platform, we can design pretty much freely.

CW:    Futuristic look is a trend that appears to be very popular with selected yacht designers. Do you see these designs becoming more popular with the clients or do costumers still prefer a more timeless, down to earth design?

HL: At Hot Lab we would like to see our yachts on water and in style in many years to come. Although some futuristic yachts have that ‘wow’ effect at first glance, often they do not stand the time, when it comes to their design.

CW:   New materials, products and features are coming out each year. What do you think does the future hold for superyacht owners, when it comes to superyacht  design? Are there any new and exciting materials that we can expect to see in the near future?

HL: There is an ongoing research in the yachting industry. So there are always new materials coming out as well as new technologies. These can include new types of flooring solutions, new ways of working with glass or new entertainment systems as well as new construction materials or coatings.

CW:    Another important issue is the ecology and environment. How does it affect your design process?

HL: Apart from the well known solutions when it comes to the structural aspects and the exterior design, at Hot Lab we are trying to seek new eco-friendly materials for our interior projects . There is a range of new ecological, recycled or recyclable materials on the market suitable for superyachts, without loosing the glamour and the luxurious atmosphere. There are stunning fabrics made of natural fibres, such as rice, organic cotton, wool and many others. Me and my partner Enrico are also teachers at the private IED (Istituto Europeo di Design) university in Milan. During our courses specialising in Yacht Eco Design our students are encouraged to come up with different environmentally friendly solutions and we see an enormous amount of great ideas emerge every single year.

CW:  Moving onto the stunning 37 metre motor yacht NOOR, finalist at the 2011 World Superyacht Awards and a finalist of the ‘best interior layout’ and the ‘best interior’ at the 2011 Showboat Design Awards to be held on the 25th of October. You must be very proud of her, congratulations! What were the biggest challenges you faced during the design process of her interior?

HL: Thanks! One of the main challenges was the staircase. We spent long hours and designed numerous solutions before coming up with the perfect and the most reflective of the Owner’s wishes and desires. Having said this, we enjoyed every moment of her design and are very proud of her.

Hot Lab designed interior of the award winning NOOR superyacht

Hot Lab designed interior of the award winning NOOR superyacht

CW:   Sir Alec Issigonis once said: “A camel is a horse designed by a committee.” Was superyacht NOOR’s interior a creation of one key designer or does the complexity of a large yacht interior require a team effort?

HL: It  definitely is a team effort. There are parts of the project that are done by one designer only, and there are others, where we all sit together and work through ideas together.

CW:   What do you think sets NOOR apart from other yachts of her size?

HL: Attention to detail! In all of our projects we strive for a unique and noteworthy design. All of our concepts feature interesting design elements, that are not necessarily visible at first glance, but with closer inspection beautiful ‘treasures’ can be revealed. Superyacht NOOR boasts a very particular layout. Her dining area situated on the upper deck has been placed behind the wheelhouse in order to flow naturally with the deck. Great attention was paid to her lighting, where we designed large wide windows to ensure flow of natural daylight into the interior, while innovative indoor artificial light has been achieved thanks to a clever combination of led lights built into the walls, cabinet panels as well as baseboards. We have used numerous skylights to create a light and airy atmosphere throughout. Only five types of materials were used to create NOOR’s interior. Creating numerous combinations as well as different types of workmanships we achieved a one of a kind, yet fluid look.

CW: Apart from new designs, Hot Lab design studio also specialises in refits. As designers, how do you approach an already existing yacht interior/exterior and turn it into something new and fresh?

HL: There is a considerable difference between a completely new project and a refit project. Of course there is a larger amount of limitations involved. The layout is practically unalterable as well as most of the various spaces on board. Our approach depends on numerous aspects, as for example, the vessel’s age.  A motor yacht from the 1970′s would have a very different layout to one launched fairly recently. Back then the emphasis was on the interior spaces, whereas today we tend to ‘live’ more outside and focus on the exterior areas of a yacht. So in those cases, for example, we would aim to open up spaces by means of specific design elements and features. Whatever the project might be, our objective is to ‘breathe’ a new life into the boat and give her a fresh, elegant and sophisticated appeal.

CW:   Are there any new superyacht projects that we can expect to hear about in the upcoming weeks/months?

HL: At the present we are working on 3 displacement yachts in collaboration with Sergio Cutolo for the well known shipyard Posillipo (Cantieri Navali Rizzardi).  The 27-metre motor yacht is currently under construction, whereas the information about the 33 and the 38-metre yacht is still confidential.  Your readers might, however, read some additional news related to these two yachts, soon.

In regard to the new project, the 27M diplacement yacht, which we are developing in collaboration with the Italian Posillipo shipyard, we can reveal that she is a three deck Navetta, featuring a very large beam as well as low fuel consumption. The Posillipo 27m Navetta yacht will boast large interior spaces to comfortably accommodate the owner and guest alike. Hot Lab is in charge of both the exterior as well as interior spaces.

Hot Lab 27M yacht in collaboration with Sergio Cutolo for the Posillipo Shipyard

Hot Lab's 27M yacht in collaboration with Sergio Cutolo for the Posillipo Shipyard

Beside these projects we are still working on some improvements to the PA 168 yacht design for Oceanco, a concept based on the highly regarded Oceanco yacht platform. Regardless of her impressive dimensions, Oceanco PA 168 superyacht features neat external lines, giving an impression of a much lighter vessels. Her layout and deck space designs have been carefully studied to communicate a visual sense of lightness, yet provide ample spaces outdoors as well as indoors.

In addition we are at an early stage for one new interior design project for private clients. A 37-metre superyacht, also with an old traditional Italian boat builder. This collaboration is still under discussion, however we would be very proud to realise this project.

We have also received interests from certain Dutch shipyards that we are currently discussing. Following the upcoming Fort Lauderdale International Boat Show we will certainly have more to talk about. The rest is top secret, I’m sorry …

CW:  What advise would Hot Lab give to other aspiring designers entering this  industry?

HL: To create motor yacht designs with dedication and passion. To develop projects that are visually appealing but at the same time functional.

Exclusive interview with luxury super yacht designer Guido de Groot of Guido de Groot Design

September 26, 2011

Since 1997 Guido de Groot Design studio has been creating beautiful and innovative superyacht interiors and exteriors. Their extensive portfolio includes a selection of both motor yacht and sailing yacht designs, including the stunning 39 metre Feadship charter yacht Kathleen Anne, the 39m Jongert superyacht Lucia M and the elegant interior of the charter yacht Gitana. In this exclusive interview we asked Guido de Groot about his work, influences as well as current and future concepts. You can read about one of their latest projects, the Selene 128 Ocean Explorer superyacht and find out about Guido de Groot Design’s current project – the Jongert 500LE motor yacht.

Luxury yacht designer Guido de Groot

Luxury yacht designer Guido de Groot

CharterWorld: Guido de Groot Design was founded in 1997.  You have previously worked as a car designer for an important car manufacturing company in France. What inspired you to move into the yachting industry?

Guido de Groot: My interest for large yachts started rather late. I believe I was around 20 years old when I had the chance to visit ”the Highlander” –  a 46m Dutch built yacht, designed by the late Jon Bannenberg. You could say that since that day I started drawing yachts in parallel with my career in car design. After working for seven years in the car industry, and could say that I designed cars that went in production, I decided to start a new career as a yacht designer.

CW:  At a glance, the two design fields seem to be somewhat different. What influence had the car design experience on your current work and what are the similarities when it comes to both?

GdG: Regarding the exterior aesthetics, both cars and yachts are 3d objects in motion that in most cases sell because of their looks. They need a good understanding of 3d surface development by the designer, together with attention to detail. For this reason you can find a lot of car designers that also have moved on to designing yachts. I would also like to mention, that being trained as a car designer gives you a good ability to present your designs in a professional and clear way to clients.

CW:  Faced with a new project, you must have a number of ideas run through your mind. What is the first step taken when creating a new yacht design?

GdG: Each project starts with several meetings with our client. First, we need to get a good understanding of what the client wants and needs. When we have a better understanding of the project, the first steps  taken are sketching, sketching and sketching. In general, at the beginning of a project it is important that you are not afraid of a white sheet of paper.  The exploration of ideas is quite free; we wish to push the boundaries and at all times produce good and interesting solutions.

CW:  Where do you draw your ideas from?

GdG: I would almost say that the designs just happen. In general, I am not looking for influences when I start designing. I do get however, influenced a lot by my clients themselves, their way of living, thinking. I had the chance to work for some fantastic clients and I am proud of having created the fulfillment of their dreams.

CW:  Your work is being recognized worldwide. What, in your opinion, sets Guido de Groot Design apart from other design companies?

GdG: We are very versatile in our projects and not afraid to take on new approaches. The variety and scope of the projects reflects the fact that our company is flexible; the projects range from the futuristic to the traditional, but behind all of these, there is a cohesive and unifying style.

CW: What are the main aspects taken into consideration during a yacht design process?

GdG: Firstly you need to be aware that what you design also has to be built by the yard (so it needs understanding of the yards strengths and limitations) and secondly, you need to be able communicate your ideas and designs effectively to the client and yard. Our strong point in the development of the yacht is that we develop the yachts with 3d computer programs allowing us to make visuals for both the exterior and interior of the yacht. This way we make it much easier for the client to get an idea of what the potential boat will look like, long before the vessel has begun its construction.

CW:  Nowadays, we see many futuristic yacht designs emerging from young designers. Do you see this trend becoming popular with the clients or do they still prefer a more down to earth, timeless design?

GdG: You can not really talk about yachts as something being very general. There will always be several different types of yachts, ranging from fast yachts to large displacement yachts. Some with traditional looks and others will be futuristic. Those types of yacht styles evolve, but their function is to entertain their owners and guests. Yachts change as their users expectations and demands change. What they will look like in let say 20 years depends for a large part on this. At the moment it is, for instance, important for people to be close to the water, which is achieved by folding out balconies and terraces. Also, submarines on board are starting to become popular. Accommodating these “toys” and other items will affect the layouts and appearances of future yachts. Needless to say, that a change in regulations will affect their designs, as well.

CW:   Another important issue is the ecology and environment. Your latest projects include the 27m and the 34m hybrid propulsion superyacht concepts. Is there a large demand for ‘environmentally friendly’ superyachts amongst the owners?

GdG: You could say that Green Design for superyachts as such is not necessarily important because of the small number of superyachts worldwide. But Green Design has to be seen as a global issue. A lot of ideas that can come out of the ideas gained from super yachts can find their way in other green solutions for ships in general. Sea transport is still a very polluting business. We also noticed that there is a group of superyacht owners that is very interested in “green technology” because of their background in entrepreneurship in modern technology.

CW: New materials, products and features are coming out each year. What do you think does the future hold for superyacht owners, when it comes to superyacht interior/exterior design? Are there any new and exciting materials that we can expect to see in the near future?

GdG: Together with artists and craftsmen we are constantly developing new ways of using materials and surfaces that can be used for our designs. It is one of the fun parts of our job.

The Selene 128 motor yacht – An Ocean Explorer Yacht by Guido De Groot Design

The Selene 128 motor yacht – An Ocean Explorer Yacht by Guido De Groot Design

CW:  The Selene 128 Ocean Explorer Yacht is perhaps the most recent yacht design launched by Guido de Groot. What makes superyacht Selene 128 unique and different from other explorers?

GdG: The Selene 128 is showing the expansion of the yard in to the Luxury Yacht market the best. She will be produced next to the well known Selene Ocean Trawlers yachts, for which the yard is well known worldwide. It is also the second project between Guido de Groot Design and Selene Yachts in this new range of yachts, which started with the Selene 92 – with the first yachts currently under construction.

The Selene 128 has the same typical eye-catching lines that are shown on the Selene 92. Only the Selene 128 is a true four deck motor yacht. The displacement hull has the typical Selene hull characteristics with a large beam in the middle and a narrow elegant transom giving it proportions that will appeal to the American market in particular. At the same timer, her stylish look and sharp bow angle will make her a yacht that will do well on the Asian and European market, as well. The yacht has a very large swimming platform that can be used for entertainment or for storage of water toys and is attached to a large lazarette, which can be used to store other diving gear. The main tender will be stored on the bridge deck.

CW:  Antoine de Saint Exupéry once said: ” A designer knows he has achieved perfection not when there is nothing to left to add, but when there is nothing left to take off.” Would you agree with this quote and at what point can you say, that the design is complete?

GdG: As a designer of superyachts you are always facing the problem of the “size”.  I would say a perfect yacht is well designed when everything is exactly designed accordingly to her size. It happens too often, that people say the yacht is very nice,  but it should be little bit larger to accommodate all her features properly. For this reason it is very important right at the beginning and before the construction should start, that the designers are clear with their clients about the real dimensions on board.

CW:   Customer’s wishes and requirements are very important. How do you find the right balance when it comes to these, your own beliefs and ideas, and the collaboration with the shipyard?

GdG: The customers’ wishes and requirements are what yacht design and yacht building is all about. A client will come to us because he believes we are the right people to put his wishes and requirements best into a concept that can be built. Together with the owner, naval architect, project manager and shipyard we are part of a team. We are open-minded towards anybody involved in the project in order to create a yacht everyone will be proud of at the end.

CW:  Are there any new super yacht projects from Guido de Groot design that you are currently working on? If so, would you like to share some information with our readers?

GdG: We are working currently on designs of the Jongert 500LE yacht, a 50m vessel, which construction will start soon.  Powerful, long, sleek sculptured lines are the main characteristics of the exterior design of this yacht. We tried to accentuate the length of the boat. Besides already having lots of outdoor recreation areas, special features have been created to have the indoor areas become part of the exterior areas by the use of sliding doors and folding out balconies. Also, the rear garage door can fold out onto the sea in order to become a huge terrace.

A completely different project is that of the interior design of a 40m Motor Sailing Yacht currently under construction at the Mengi Yay Shipyard in Turkey according to the designs of Ginton Naval Architects. At the moment we have 8 yacht projects over 24m under construction or with construction starting soon. Furthermore,  we are working on several yacht projects under 24m.

The Jongert 500 LE motor yacht by Guido de Groot Design

The Jongert 500 LE motor yacht by Guido de Groot Design

CW:  As a successful world renowned designer, what advice would you give to the emerging designers willing to enter the yachting industry?

GdG: I think it is important that emerging designers are aware of Yacht Design not being only about “the looks”, but also in what way the yacht will be used and how it will be constructed. They need a very good understanding of yachts in general.